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Setting down at Heliport One, a fuel-cell powered whirlybird disgorges its solo
passenger who shuffles fully upright under decapitating blades disdaining
their awful ruckus, ignoring the flapping wind-horses they make of his burnoose, and travelling from their influence at a self-possessed pace, oblivious to the
Himalayan spectacle of snow-crowned peaks mere inches from abrading
a cirrus-whiskered stratosphere, making straight for the chamber wherein
business will be conducted (concluded, if he has his druthers) over objections from
the Prince (unlikely to be raised much less endorsed), and objections from Ms Wolffmüller
(out of the question).
Tableau after tableau left and right of the colonnade distract his plodding footsteps
not in the least,
Eros was a man
as conceived by the ancient Greeks:

immune as he
has grown to the profligacy of his dead brother’s son,
athletic,
handsome, virile, and primed to prove his point,
censorious irrespective the supportive role he plays,
candid in his
ardor,
indifferent to Hermione, Jude,
Alicia, Dominique, unmoved by Sophie and Sophia, Fatima, or the newcomer Norma Jean,
lustful in his
bent,
numb, in truth, to urges from the prehistoric brain that signals going-into-heat;
sex and psyche
equally uncouth and brutishly uncircumcised,
drives, to those un-driven, levers to be worked,
expurgated,
henceforth, and romanticized by Helen,
the
Prince’s fortified den his uncle's destination—to which he admits himself with
an upturned arcane ring,
transformed into
Amor and Cupido by the sentimental Romans,
surveillance cameras
tracking with blind-eye-turned consent,
he who once laid
waste to virgins, ravished maids and maidens, sodomized little boys
the Royal
Family’s Head never to be barred admittance;
reduced to a
chubby-cheeked cherub,
The Prince, feigning fond surprise, abiding his kin's intrusion—rules of hospitality would
hardly have it otherwise,
a winged and
weakly infant,

elaborate greetings
marking their exchange,
a valentine
positioned like a fig leaf over parts far less benign,
those
expected by the
uncle, by the nephew duly executed,
genitals aptly geared
for flagrant fornication which
pleasantries indulged, prolonged, discharged politely—
descendents, oh so prudishly, learned to veil.
the Sheik’s
in-progress subtext, with discourse,
finally overlapping.

SHEIK HADITHAH
For that which
culture hides from itself breeds appetites insatiable.
THE PRINCE
How that
applies to Nana, I am afraid I fail to see.
SHEIK HADITHAH
Art, the
devil’s hobby, is Nana’s true vocation. Art, the great apologist for the
villains people were, still are, and ever shall be—so long as their libidos dictate
their behavior—is provocateur, seducer, and all-around scoundrel.
And who are
Art’s primary patrons?
THE PRINCE
The rich?
SHEIK HADITHAH
The filthy
rich, indeed. Nana has an upcoming one-woman-show.
THE PRINCE
This much she
has told me.
The
Sheik interrupts his discourse to examine its recipient;
Nothing is
untoward about her sharing such a confidence;
Nana doing otherwise might have
caused concern.
yet something
in the Prince’s manner...
A
conspirator (?)
... has put the
elder off (and on his guard).
SHEIK HADITHAH
Where is Nana,
by the by? I saw her not in passing.
The Prince affects nonchalance; the Sheik maintains suspicion.
THE PRINCE
Her studio, I
imagine. Preparing to take her leave?
Easing into the throne-like chair whence Nana last was parked, the Sheik reviews
his strategy,
Could warning
her have proven ill-advised?
checking it for
weaknesses, for tertiary blind spots, for unseen opportunities to work against
his will.
Or are the two,
when my back is turned, in league?
SHEIK HADITHAH
Something is
amiss. I will hear your explanation.
Imperious in his tone, unwavering in his scrutiny, the Prince's father's brother
will not be denied... thus incomplete divulgence might well prove disastrous;
the Prince
(with seeming reluctance) tells what has transpired.
THE PRINCE
Upon your last
departure, Nana acted strangely. Tense would be most accurate when describing
her demeanor. I questioned her; she attributed it to mounting
insecurity about life beyond these walls, about her future, in point of fact.
She mentioned, then, the exhibition you so graciously arranged. Doubts about her work, she
claimed, were also rather worrisome; was it good in and of itself or was she trading
upon your influence? By way of reassuring her, I invited Nana here to my private quarters, which impressed her as
unprecedented. Indeed it was, as you well know; no one ever breaches this
matchless cell. Beneath her show of gratitude, however, I detected
apprehension. I had to coax, almost compel her to enter that very door. Once
inside, her whole deportment changed quite radically. I came to see she was
frightened—not of things to come but rather of me. I believe she misconstrued a number of
these artifacts, recognizing those rare few derived from human skin.
Somehow she confused their vintage for recent acquisitions. I was taxed
to disabuse her. And, of course, I bent the truth. Nana, nevertheless, took
fright and fled.
SHEIK HADITHAH
She what!
Where? When?
THE PRINCE
Not impulsively; she
did pretend a degree of unconcern, which lulled me into thinking I had put her mind at
rest. But last night when I summoned her, I confess she failed to answer.
SHEIK HADITHAH
You have
searched, I presume?
THE PRINCE
The
premises, yes. Incursions further afield await your authorization—though it is doubtful she could have left unseen by surveillance.
The
Sheik takes pause to process (and weigh the veracity) of this troubling
information.
Sow a seed, why
doubt that it should germinate in someone so unseasoned?
Improbable or plausible? Easy to ascertain. But what could be the motive for such
ill-bred deception?
I would
have thought Ms Wolffmüller somewhat less impetuous.
SHEIK HADITHAH
Let us pay a
visit to Nana’s room and module.
Neurons firing frantically in the nephew's throbbing skull, the Prince
forestalls... or would, were his uncle not underway, proceeding down a corridor
with resolute
gait, the train of his white burnoose sweeping
aside leaves fallen from the atrium, muttering to himself (as is his wont)
in antiquated Arabic.
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